![]() ![]() Kaufman's problem with third acts is, in fact, so acute that it becomes the very substance of Adaptation's sour last half hour.īut just as everyone (including Kaufman) was ready to conclude that Charlie's acorns simply do not develop into full-sized trees, along comes the measured growth and glorious blossom of Eternal Sunshine Of The Spotless Mind, his most satisfying fantasy yet. But the third act of his Confessions Of A Dangerous Mind script gets tangled up in its own intrigue and Malkovich also ends without conviction, limping over the line as if it has not drawn breath since that sprint start. As a pure ideas man, the Oscar-nominated screenwriter of Being John Malkovich and Adaptation is without peer. ![]() Charlie Kaufman has a problem with endings.
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